Audio and video can be found on soundcloud: http://soundcloud.com/johnphastings & https://soundcloud.com/guymisterioso/, bandcamp: https://johnphastings.bandcamp.com/ and vimeo: https://vimeo.com/user16674175
Some scores can also be found in my self-published scorebook, john p. hastings : scores and drawings 2010, which can be purchased here: https://johnphastings.bandcamp.com/merch/john-p-hastings-scores-and-drawings-2010
2017-2018 — The Four Ecologies work-in-progress, for solo trombone and pre-recorded sound (45 minutes) information here
2016-2018 — The Former World opera (80 minutes) information here
- Text Operations (20′) for 2-4 performers
- Songs from the Former World (open duration) audio score for acoustic guitarist
- Striations (80′) violin duo
- STRATA (27′) for variable number of performers with pre-recorded sound
2016 — LUMEN Resonant Sound Space performance installation for two players (5 hours) information here
2015 — Give the Drummer Some for drummer and vinyl recording (11′)
2015 — Guitarmony performance activity for two or more guitarists (16′) [score]
2014 — Melody & Accompaniment for two performers (open duration) [score]
2014 — a negation instructions for anti-performance activity (open duration) [score]
2014 — The Moon Shows No Light for string instrument (22′)
Part of the suite, Folk Music
2014 — Sonic Baptism for 4 performers with stereo playback and magnetic tape recorders (25′) [documentation]
Immersive environment featuring sound, recorded text playback, live text performance in a ritualized atmosphere. Created for Tommy Cobra.
2013 — White (Vermont) 6 performers with stereo playback (22′) [score] [audio]
Ergodic performance practice with environmental white noise from NE Vermont. A graphic score utilizing glyphs also creates a sense of duality and interpretation with the performers.
2012 — terce for three percussionists (3’/9’/27’/81’/etc.) [score] [audio]
A set of parameters and a numerical grid for realizing a sounding space. Premiered by the Rootstock Ensemble at the 2012 Other Minds Festival 17 Fellowship concert.
2011 — Negative Space graphic score for any number of performers (open duration)
Graphic score reflecting the nature of space. Score and audio can be found at the Experimental Music Yearbook: http://www.experimentalmusicyearbook.com/issue-2011/table-of-contents-2011/title-john-p-hastings/
2011 — Structure (for Mies) chamber ensemble with digital drone and field recordings (open duration)
A sonic accumulation based on rational properties in the work of architect Mies van der Rohe. Originally released on the netlabel Absence of Wax. Download audio here. Performed as part of the lecture / installation by milligram office, Mies van der Rohe and Rhetoric of Structure. More information here.
2010 — Symmetric Convergence for 5 performers (open duration)
Instruments slowly converge on a singularity. As they do, microtones and aural beatings occur.
2010 — tone | field for at least 5 performers (open duration) [score]
An interlocking web of tones and voice leading.
2010 — bells for at least 4 players (open duration) [score]
An explosion or convergence of metallic sound, depending on its reading (can be performed in retrograde).
2010 — A Sound Map of the United States Stereo playback (45′)
A soundtrack of the United States circa Summer 2010. Field recordings from across the country. Released by the UK based label Compost & Height: http://compostandheight.blogspot.com/2010/09/john-p-hastings-sound-map-of-united.html
2010 — Duo for Accordions for two accordions (2′) commissioned by Machine Project and the Hammer Museum
2010 — Tuba Duo for two tubas (2′) commissioned by Machine Project and the Hammer Museum
2010 — vibrations for 3 sustaining instruments and sine wave (18′) [score]
Based on Dan Flavin’s The Nominal Three, the piece reveals a new look at minimal structuring and greatly reductive tonal resources resulting in aleatoric phasing and beat patterns.
2009 — The Rocketship in Langley Park for large ensemble (15’)
Concerns the fusion of disparate, highly charged elements (arrayed in a just intonation chord, based on Mersenne Primes) into a single disappearing source (a kind of reverse engineering of branching harmony). Audio and score can be found at the Experimental Music Yearbook: http://www.experimentalmusicyearbook.com/issue-2009/table-of-contents-2009/the-rocketship-in-langley-park-john-p-hastings/
2009 — bands for large ensemble (18’) [audio]
Using La Monte Young’s Composition No. 7 as a starting point, the piece slowly bends a perfect fifth into a myriad of microtonal worlds. Premiered by the Dogstar Orchestra in June 2009.
2009 — The Broken Chord installation [documentation]
Installation using field recordings and sine tones. Installed at Hahamongna Watershed Park, Pasadena, CA as part of On the Trail of…. Curated by NewTown Arts.
2008 — Sonic Spiral for 11 tunable instruments (17’)
A sound equivalent of the fibonacci series. Music and math in direct correlation. Released on bandcamp recording Chamber Music.
2008 — Sonic Spiral installation version [documentation]
Installed at SoundWalk 2008, Long Beach, CA.
2008 — desertum for brass quintet and percussion quartet (14’ – 21’)
The dark shadow of an Earthly paradise. Released on bandcamp recording Chamber Music.
2008 — telluric currents for large ensemble (13’)
The music of the spheres, sounded with a low Bb. Released on bandcamp recording Chamber Music.
2006 — THIAH for stereo playback (12’) [audio]
Field recordings and guitar feedback from an apartment in Los Angeles, CA.
Compositions have been performed at Klangraum – KUNSTRAUM / JAZZ-SCHMIEDE (Dusseldorf, Germany), Instants Chavirés (Paris, France), La Chapelle Gély (Montpellier, France), the wulf. (Los Angeles, CA), Roy O. Disney Hall (Valencia, CA), The Wild Beast Pavilion (Valencia, CA), Hammer Museum (Los Angeles, CA), Meridian Gallery (San Francisco, CA), the LAB (San Francisco, CA), Festival of New American Music Sacramento State University, Sacramento, CA, Old Cabel Hall (Charlottesville, VA), Ontological-Hysteric Theater / Incubator Arts Project (New York, NY) Presents Gallery (Brooklyn, NY), Glasslands Gallery (Brooklyn, NY), Willow Place Auditorium / S.E.M. Ensemble (Brooklyn, NY), ISSUE Project Room (Brooklyn, NY), HERE Arts Center (New York, NY) & Roulette (Brooklyn, NY).
I performed in a group called Ensemble 303 with Casey Thomas Anderson. The impetus of the group was to perform new and classic works in the experimental music tradition. We had six performances, including one of Cornelius Cardew’s Treatise. We self-released this and it can be found at CDBaby as well as iTunes. We have performed works by: George Brecht, Earle Brown, Ulrich Krieger, Michael Pisaro, Steve Reich, Tomas Schmit, Karlheinz Stockhausen, James Tenney, La Monte Young and Christian Wolff.
The music for my old pop/rock band, Utris, can be found at CDBaby and iTunes.
ALL WORK COPYRIGHT 2017
JOHN P. HASTINGS